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Asbury United Methodist Church


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Welcome to Asbury Music Ministries

Asbury has a rich music tradition that plays an integral role in the congregation and worship life.  For us at Asbury, sacred music not only gives us a special outlet to express our faith, but also calls us away from the humdrum of life to a refreshed spirit and encouragement of those worshiping with us. We encourage you to share your faith with us through music as we lift up the love of God, Christ and the Holy Spirit through the Ministries of Music.

Dr. Michael Stefanek
Director of Music Ministries
Heather Janso Harman
Heather Janso Harman
Director of Children’s and Care Ministries

Music Ministries Schedule

Asbury Music Ministries Schedule

Adult Music Ministries

Adult Music Ministries:

Chancel ChoirChancel Choir: The Chancel Choir sings at the 11:00 AM Festive Worship service and presents major choral works. The repertoire is diverse and there’s no audition required. It’s a great way to share God’s love while enhancing worship through music. The chancel choir is under the direction of Dr. Michael Stefanek. Rehearsals: Thursdays, 7:00-8:30 PM in the Choir Room, Childcare is available.

Praise BandPraise Band: This group of singers and instrumentalists leads worship at the 8:45 AM “Come As You Are” Worship Service (CAYR) in Fellowship Hall and the 8:45 AM outdoor Garden Worship during the summer months. Rehearsals: Tuesdays at 7:00 PM.

Jubilate BellsJubilate Bells: This advanced handbell choir rings at our worship services, as scheduled. Jubilate Bells is under the direction of Sharon Birch. Rehearsals: Thursdays, 5:30-6:30 PM in the Handbell Room (114 B)

WoodwindsWoodwinds: This ensemble performs at our worship services, special events, and concerts as scheduled. Dr. Michael Stefanek, Director; Alan Selser, Director Emeritus. Rehearse as scheduled.

One VoiceOne Voice: This women’s ensemble, directed by Patty Clendenen, sings occasionally for our worship services. Membership is by audition. Rehearse as scheduled.

Children and Youth Music Ministries

Children & Youth Music Ministry:

Asbury’s Little Mozarts is an introductory music experience group for preschool children, ages 3-5. Bible stories and songs are combined with movement and instruments in this fun class. Little Mozarts meet from at 4:30-5:00 PM in the Fox Room. They sing at the Christmas Concert as well as at 8:45 a.m. and 11 a.m. services as scheduled, September through May. Director: Mary Beth Gicking

Cherub ChoirCherub Choir is a beginning choral ensemble for children in Kindergarten through Second Grade. The Cherubs sing in worship approximately once a month from September through May. Rehearsals are held on Tuesdays from 4:45-5:15 PM in the Mackey Room. Director: Heather Harman

Kingdom Kids Singers & Ringers are the singing and ringing ensembles for elementary school children, grades 3-5. They provide music at worship services as scheduled, September through May. Ringers meet on Tuesdays from 4:45-5:15; Danielle Comeau, Director. Singers meet on Tuesdays from 5:20-5:50 PM; Heather Harman, Director

Revelation Ringers (Grade 6-12): This handbell choir rings at our worship services, as scheduled, in addition to special services and concerts. It is under the direction of Carol Walston. Rehearsals: Tuesdays, 6:15 PM in the Handbell Room (114B)

*A note about protecting young people at Asbury. We have a Safe Sanctuary Policy that includes background checks and other policies that ensure young people and adults will be safe. Click here to access the Safe Sanctuary Policies.

Asbury Casavant Organ

Asbury Casavant Organ Introduction:

Asbury United Methodist Church in Salisbury, Maryland, is extremely blessed with an outstanding pipe organ built by Casavant Freres (Casavant Brothers), of St-Hyacinthe, Quebec. T he web page for Casavant is amazingly interesting. You will enjoy looking at their work at; and in addition, following is a web site containing the history of the Casavant Brothers. Casavant was founded in 1879 (eight years prior to Asbury moving to the stone structure in 1887) and is the oldest continuing name in North American Organ Building.

German Concept Takes Over the World of Organ Building:

Casavant OrganOne wonders if those who selected this mighty instrument were aware of the enormous impact it would have on this parish and the Eastern Shore of Maryland. Designed after the great German organs of the 1600-1750, the Baroque Period of Buxtehude and Bach, this Casavant Organ was right in the middle of a rage in organ building in the mid-Twentieth Century. Honestly, early American organs were often not much more than a hodgepodge of pipes. Builders and organists were tired of trying to make these instruments sound like something, and this rage of resurrecting an organ design concept that was actually meant to sound fantastic, the German Baroque design, took over the country as well as much of the world of organ building and organists. The sound is typically tall and thin, with bright definition and articulation. It was a breath of fresh air in the world of church music and organ building, providing a unified sound from top to bottom, full of clarity and splendor. A builder and organist could collaborate to make something that was never before so beautifully articulate. This sound was enjoyed not only at Asbury, but people all over the country, enjoyed these kinds of instruments for many years.

Casavants Pilgrim Landing on the Eastern Shore:

Casavant FreresThe Casavant arrived just after the pews were put in place in the new sanctuary in 1962. The original Casavant was an instrument of 38 stops, 55 ranks, played from a console housing three manuals and pedal keyboard, 6 unison couplers, 4 general pistons with 4 additional pistons for each manual, crescendo pedal and full organ piston, with one tremulant on the Swell Division; installed for a total price of $45,000.00.

Oscar & Harriett Carey, Joseph PrivetteFor the next 50 years Directors such as Joseph Privette (1956-1965); Homer Jackson (1965-1973); Bill Evans (1973-1974); Gordon Turk (1974-1975); and Taylor Harvey (1975-2003), nurtured the choirs and musicians from this organ, adding a spiritual depth to the music of our faith from these very pipes. Click here to view the original specifications, photo taken directly from the contract.

Casavant being assembled  Organ Pipes

Above photos of the Casavant being assembled and tested in the St-Hyacinthe Factory. The top left hand photo of Oscar & Harriett Carey, Joseph Privette seated.

Explosion Results In Flurry of Additions:

Taylor HarveyIn 1980, during the tenure of Taylor Harvey (Director of Music, 1975-2003), repair to the organ was needed due to the furnace exploding into the sanctuary through the organ blower, rendering it unusable for about six months. During this time the organ was returned to the factory in St-Hyacinthe for cleaning and necessary repairs, and the congregation secured a used Allen Organ for the interim, which was placed in the choir stalls behind the Lectern. During this repair the main blower was moved from the basement into the organ chambers behind the choir loft, to eliminate this happening again; and the Solo Trumpet was added in the Swell Division by Trivo Pipe Makers in Hagerstown, Maryland (a unit rank of 85 pipes being offered at 16′, 8′, and 4′ pitch). In February 1985, the 73 pipe Vox Humana stop was added and in May of 1985 a contract was signed with Moller Organ Builders in Hagerstown, Maryland, to build a four manual console to include an electrically adjustable bench, digital clock, 4 levels of digital combination action memory, and 20 additional couplers. This work was done in honor of Winnie & George Kitzmiller, life-long supporters and members of the Chancel Choir.

Pipe Organ Installations and Repairs:

Pipe Organ Installations and RepairsOf course, they say that all good things must come to an end. Many don’t always believe that, but in this case, they did. When Taylor Harvey retired in 2003, he made his report to the Trustees noting the organ was in need of major repairs. Upon acceptance of the position, the new Music Director, Robert Young confirmed this information through the evaluation of the instrument by Phil Jansen, then curator. For the next five years, the Trustees heard reports and kept close tabs on the condition of the Casavant via reports from different organ curators and the Director of Music.In the fall of 2007, it was the recommendation of the Music Leadership Team to the Trustees, that an Organ Committee be organized to look specifically at the refurbishment of both the Steinway Concert Grand Piano and the Casavant Organ. The Trustees approved this recommendation and an Organ Committee was appointed of Robert Young, Director of Music Ministries, Chip Dashiell on behalf of the Music Committee, and Susan Peacock on behalf of the Trustees. The Steinway 9’ Concert Grand action was completely refurbished in 2007, by David B. Snyder, a nationally known expert in the refurbishment of Steinway pianos. Also in 2007, the Organ Committee solicited bids from David M. Storey Organ Company, Patrick J. Murphy & Associates, Bob Daffer Organ Company, and Casavant Freres.

Heavy February SnowOn February 7, 2008, contracts with Casavant Freres and David M. Storey Organ Company were signed for a total renovation of the Casavant at a projected cost of $485,000.00, with the work to begin in April 2009. These contracts were signed by Susan Peacock, Vice-Chair for the Board of Trustees; David M. Storey, for David M. Storey, Inc.; and Simon Couture, Vice President for Casavant Freres. Jacquelin Rochette and Pierre Beaulac were the Tonal Directors. The Casavant had been through so much over the years, the renovation seemed to go on and on—one matter after another complicated the restoration. Thanksgiving, the projected date of completion, came and went. Advent was followed by the assumed knowledge that at least a portion of the organ would be ready for Christmas. Then Tuesday, December 8, an e-mail from the organ builder that the hopeful use of even part of the instrument for Christmas was becoming an impossibility–the Casavant voicers were rescheduled for early November, then early December, then the end of January. January limped by—one thing after another, the voicers were rescheduled for February. February moved about as fast as the heavy snows of that winter. Most of the Shore was under 3-4 feet of snow, getting around was difficult. Easter was staring the congregation in the face, when finally, even though the organ was not completed, the voicers arrived on Monday evening, February 22, completing their work on Saturday, March 6. Then it began again, the voicers left and work continued on the organ. On Sunday, March 14, a ray of hope came into view when they were able to begin using the organ again. The congregation continued using the organ through Easter 2010 while work continued, and then very late in the evening, Wednesday, May 12, Tom Allen, Electrician for David M. Storey, completed the final work on the Casavant. Like any renovation, this was found to be a long and patience-bending process.

The Casavant Today and Tomorrow:

The Casavant Today and TomorrowToday the instrument has once again been unified into one voicing style, with all systems updated and working perfectly. The present Casavant has among its controls, a transposer, digital clock, full organ recording system, 4 separate programmable crescendos, 128 levels of digital memory controlling 12 General Pistons, 8 divisional pistons for each of the divisions, three tremulants, and Sforzando. The console has been refinished in the maple color wood that matches the other woods in the sanctuary, with the interior portions of the organ being finished in a dark walnut, with matching walnut draw knobs, and dark walnut colored script on all stops and pistons. Each keyboard is sitting on dark walnut, colonial, Aeolian Skinner key beds, with the naturals being of a synthetic ivory and sharps of dark walnut. The organ also houses a Schulmerich Carillon with six voices available on two keyboards. The voicing of the instrument was performed by two of the finest voicers in the industry, Jean-Sébastien Dufour and Guillaume Deschenes from Quebec, in the English/Symphonic Style, with English Nomenclature. Where the previous instrument was of German Baroque design, being described as tall and thin; the English/Symphonic Style is much more reminiscent of the orchestral style, broad, full, warm and expansive. It combines knowledge of the German Baroque design in organ building, with the Romantic French and English design concepts, and understanding of what makes the symphonic orchestra sound successful. It is a twenty-first century sound that is truly amazing, and doubly amazing when combined with the faith of this parish and its expansive Music Ministry. May God be with these folk as they continue to praise His name through the sound of this instrument and their musical expressions.

The Asbury Casavant OrganHere are some interesting facts about the Casavant:

    • The organ ranks in size with the larger instruments in Baltimore,
      Washington, and New York.
    • The console alone weighs over 2,000 pounds.
    • There are over 30 miles of wiring in the organ.
    • The organ contains 3,051 pipes.
    • The pipes vary in height from about 2-3 inches to 16 feet high.
    • The entire organ is three stories high.

Organ Specifications:

Asbury’s Organ Built by Casavant Frères of Saint-Hyacinthe, Quebec in 1962
Rebuilt by Casavant Frères and David M. Storey in 2009

Casavant Frères, Op. 2720


  • 16’ Bourdon
  • 8’ Principal
  • 8’ Chimney Flute
  • 8’ Harmonic Flute (Solo)
  • 8’ Salicional (Solo)
  • 4’ Octave
  • 4’ Spire Flute
  • 2 2/3’ Twelfth
  • 2’ Fifteenth
  • 1 3/5’ Seventeenth
  • IV Mixture
  • 8’ Trumpet
    • Harp
    • Great Off


  • 16’ Violone
  • 8’ Principal
  • 8’ Stopped Flute
  • 8’ Viola
  • 8’ Viola Celeste
  • 8’ Erzahler
  • 8’ Erzahler Celeste
  • 4’ Octave
  • 4’ Open Flute
  • 2’ Super Octave
  • III Grave Mixture
  • III Scharf Mixture
  • 16’ Contra Trumpet
  • 16’ Bassoon
  • 8’ Trumpet
  • 8’ Oboe
  • 8’ Vox Humana
  • 4’ Clarion
    • Swell 16’
    • Swell 4′
    • Swell Off
    • Tremulant


  • 16’ Erzahler Celeste
  • 8’ Bourdon
  • 8′ Flute Dolce (Sw)
  • 8’ Erzahler Celeste (Sw)
  • 4’ Erzahler Celeste (Sw)
  • 4’ Spindle Flute
  • 2 2/3’ Nazard
  • 2’ Recorder
  • 1 3/5’ Tierce
  • 1 1/3’ Larigot
  • IV Cymbal
  • 8’ Cromorne
    • Positive 16’
    • Positive 4′
    • Positive Off
    • Tremulant

Solo (espressive)

  • 8′ Harmonic Flute
  • 8’ Salicional
  • 8’ Salicional Celeste
  • 8′ Oboe (Sw)
  • 8′ English Horn
  • 8’ Clarinet
    • Solo 16′
    • Solo 4′
    • Solo Off
    • Tremulant


  • 16′ Bombarde
  • 8’ Trumpet
  • 4′ Clarion


  • 32’ Contra Bass
  • 32’ Contra Violone (Sw)
  • 32’ Contra Bourdon
  • 16’ Principal
  • 16’ Subbass
  • 16’ Open Wood
  • 16’ Violone (Sw)
  • 16’ Bourdon (Gt)
  • 8’ Octave
  • 8’ Bass Flute
  • 4’ Choral Bass
  • 4’ Spire Flute
  • 2’ Open Flute
  • IV Mixture
  • 32’ Contra Bombarde
  • 32’ Contra Bassoon (Sw)
  • 16’ Trombone
  • 16’ Bassoon (Sw)
  • 8’ Trumpet
  • 4’ Clarion


  • Great/Pedal
  • Swell/Pedal 8,4
  • Positive/Pedal
  • Great/Pedal
  • Swell/Pedal 8, 4
  • Positive/Pedal
  • Solo/Pedal 8, 4
  • Bombarde/Pedal
  • Swell/Great 16, 8, 4
  • Postive/Great 16, 8, 4
  • Solo/Great 16, 8, 4
  • Bombarde/Great
  • Great/Positive
  • Swell/Postive 16, 8, 4
  • Solo/Positive 16, 8, 4
  • Bombarde/Positive
  • Bombarde/Solo

Asbury Pianos

Asbury Pianos

Kawai Grand Piano
6’1” Ebony Polish, Model KG3
Housed in the Mackey Room (Parlor)
Kawai Grand Piano
Yamaha Grand Piano
5’8” Ebony Polish, Model G2
Housed in the Music Rehearsal Room
Yamaha Grand Piano
Sohmer Studio Upright
45″ Studio, Mahogany Satin
Housed in the Music Director’s Office
Sohmer Studio Upright
Yamaha 48” Upright Piano
Model U1, Ebony Satin
Housed in the ACDC Music Room
Yamaha 48” Upright Piano
Baldwin Grand Piano
5’2” Walnut, Model M
Housed on the Balcony
Baldwin Grand Piano
Steinway Concert Grand Piano
9’ Ebony Satin, Model D
Housed in the Sanctuary
Steinway Concert Grand Piano

History of Asbury Music Directors

Asbury Directors of Music

Below is a chronological order of Asbury Music Directors to the extent of our knowledge. You may click on particular directors and view photographs and information of the choirs and musicians from each of those periods of time. Please note, not all periods of time have information. This choir is a work in progress. If you have historical information that would be of interest, please contact the Music Director.

Miss Clara Walton, ?-Circ.1907
Mrs. Thomas E. Martindale, Circ.1907-15
Miss Nina Veale, Circ.1915-28
Miss Frances Hopkins, Circ.1928-1935
Mrs. Hildred Moller, Circ.1935-1941
Mrs. Arla Hayman, 1942-1949
Mr. David H. Kidder, 1949-1954
Mr. Joseph C. Armbrust, 1954-1955
Mr. Josef Privette, 1956-1965
Mr. Homer Jackson, 1965-1973
Mrs. Lee Bicknell, Interim Organist/Director
Mr. William C. Evans, 1973-1974
Mr. Gordon H. Turk, 1974-1975
Miss Barbara Hall, Interim Organist/Director
Mr. H. Taylor Harvey, 1975-2003
Mr. Robert E. Young, 2003-2015

Music Endowments

Music Endowments

Asbury Church has two endowments to support the ministries of music. A general music endowment and a specific endowment to support bell ringing ministries. These endowments are maintained and overseen by the Trustees along with other church endowments. The proceeds are distributed to the Music Leadership Team who determines the expenditures of the proceeds. The proceeds are in addition to the annual church budget. (Clicking on either graphic below will take you to the endowment brochures where the brochure can be printed off.)

Music Endowment
Click here for more information on the Music Endowment

Bell Ringing Endowment
Click here for more information on the Bell Ringing Endowment


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